Inspired by Real Events
"Inspired by Real Events" is a series of six black and white photos taken from the point of view of surveillance cameras in different public places of Mexico City (Independence Monument, Reforma Avenue, Santa Fe shopping mall, Iberoamerican University, Meave Plaza and the Historic Centre). Each photo shows a volunteer climbing a ladder about to reach the camera with his or her hand. A video on a surveillance monitor shows the sequences captured by the cameras. The project is inspired by "Self-portrait in convex mirror" painted in 1524 by Parmigianino.
General info
Spanish name:
Basado en Hechos Reales
Year of creation:
2004
Installation
Monitor
Angel
Centro
Ibero
Meave
Reforma
Santa Fe
Exhibitions
- Armory Show, bitforms gallery, New York City, New York, United States, 2024.
- Zona MACO Foto, bitforms gallery, Mexico City, México, 2024.
- TECHS-MECHS: A Survey of Mexican Technological Culture, Gray Area Foundation for the Arts, Grand Theatre, San Francisco, California, United States, 2023.
- Rafael Lozano-Hemmer: Presencia Inestable, Museo de Arte Contemporáneo de Monterrey, Monterrey, México, 2019 - 2020.
- Rafael Lozano-Hemmer: Decision Forest, Amorepacific Museum of Art, Seoul, South Korea, 2018.
- La Ciudad de México en el Arte. Travesía de Ocho Siglos., Museo de la Ciudad de México, Mexico City, México, 2017 - 2018.
- Art of the Selfie, Helen Day Art Center, Stowe, Vermont, United States, 2017.
- No Secrets!, ERES Stiftung, Munich, Germany, 2017.
- Untitled Art Fair, bitforms gallery, Miami, Florida, United States, 2016.
- Rafael Lozano-Hemmer: Transition States, Gund Gallery, Gambier, Ohio, United States, 2016 - 2017.
- Rafael Lozano-Hemmer: Pseudomatismos, Museo Universitario Arte Contemporaneo, Mexico City, México, 2015 - 2016.
- Surveillance Awareness Bureau, Modelab, Wellington, New Zealand, 2015.
- Rafael Lozano-Hemmer: Signos e Índices, NC-arte, Bogotá, Colombia, 2014 - 2015.
- Vigilancias Materializadas, Galería Max Estrella, Madrid, Spain, 2010.
- ARCO '05 Black Box, bitforms gallery, Madrid, Spain, 2005.
- Subsculptures, Galerie Guy Bärtschi, Genève, Switzerland, 2005.
- Rafael Lozano-Hemmer, Galería OMR, Mexico City, México, 2004.
Credits
- Production Assistance: Tara DeSimone, Mateo Riestra
Bibliography
- "Nivel de confianza, de Rafael Lozano-Hemmer." Revista Código, 9 Apr. 2015. Mexico City, México, 2015. (español) (Magazines)
- "Signos e Índices, sinergia artística con la tecnología." El Nuevo siglo, 22 Oct. 2014. Bogotá, Colombia, 2015. (español) (Newspapers)
- de la Sierra, Carlos Antonio. "Reviews - Rafael Lozano-Hemmer." Art Nexus, vol. 3, no. 56, April - June, 2005. (english) (Magazines)
- Dolfi Agostini, Sara. "Untitled e Nada a Miami Beach: la qualità di artisti emergenti e dimenticati." Il Sole 24 Ore, 6 Dec. 2016. Milan, Italy, 2017. (italiano) (Newspapers)
- Galindo, Gabriela. "Pseudomatismos y otras paranoias posmodernas. Reflexión sobre el trabajo de Rafael Lozano-Hemmer." Réplica 21, 2 Mar. 2016. Naucalpan, México, 2016. (español) (Websites)
- García, Daniela. "El arte electrónico de Rafael Lozano-Hemmer." Revista Axxis, 4 Dec. 2014. Bogotá, Colombia, 2015. (español) (Magazines)
- García La Rota, Andres. "Rafael Lozano-Hemmer, de pulsaciones, vigilancia y el arte tecnológico." El Tiempo, 30 Oct. 2014. Bogotá, Colombia, 2014. (español) (Newspapers)
- Israde, Yanireth. "Trastoca Lozano-Hemmer algoritmos de la IA." Reforma, 7 Feb. 2024. Mexico City, México, 2024. (español) (Newspapers)
- Károly, Karola. "Rendbontó szívraktár." Kultúrpart, 1 Dec. 2014. Hungary, 2015. (magyar) (Websites)
Photo Library (click to expand)