Three custom LED displays housed in oil drums playing unique Laryngoscopic videos. Five English actors read Charles Babbage’s “Ninth Bridgewater Treatise” (1837) during an endoscopic filming; the camera introduced into their nose, reaching their vocal folds and cords.

This piece is a generative animation showing a descent into a never-ending spiral staircase. From time to time, uncanny virtual naked people can be seen walking down the staircase. The work never repeats the same sequence of characters. “Descending a Parametric Staircase” is a homage to Duchamp’s futurist composite “Nude Descending a Staircase” from 1912, taking its colour palette, and his “Rotoreliefs” from 1935.

"Inspired by Real Events" is a series of six black and white photos taken from the point of view of surveillance cameras in different public places of Mexico City. Each photo shows a volunteer climbing a ladder about to reach the camera with his or her hand. A video on a surveillance monitor shows the sequences captured by the cameras.

"Amodal Suspension" is a large-scale interactive installation where people can send short text messages to each other using a cell phone or web browser. However, rather than being sent directly, the messages are encoded as unique sequences of flashes with twenty robotically-controlled searchlights, not unlike the patterns that make up Morse code. Messages "bounce" around from searchlight to searchlight, turning the sky into a giant switchboard.

"1000 Platitudes" is a large-scale photographic intervention project. It is comprised of photomontages and a video with 1,000 words or expressions commonly used to promote globalised cities to potential investors, such as "open", "modern", "clean", "multicultural" and "cosmopolitan", for example. To make these images, a powerful projector (110,000 ANSI lumens of intensity for images of up to 70 x 70 metres) was placed on a 12-ton truck with a generator.