“Recurrent Lloyd Wright” is a recursive algorithmic animation that draws together the vast corpus of Frank Lloyd Wright’s “Usonian” architectural blueprints and evaporates them into a fluid atmosphere. In this piece, the modernist utopian vision of Lloyd Wright’s designs drift back and forth, and are endlessly remade. The sense of context and materials at the core of the architect’s poetics is dissolved into a virtual and speculative existence. In rendering atmospheric Lloyd Wright’s grounded design, “Recurrent Lloyd Wright” is, at once, a commentary on the fate of modernism and a blueprint to imagine future, possible architectonics. This artwork is available as both a treatment and a standalone piece.
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“Thermal Drift” is an interactive artwork that visualizes the dispersion of body heat as emissions of thermal energy in the form of slow-moving packets or quanta that flow away from the participant. This artwork is available as both a projection and a standalone piece.
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“Thermal Drift Density Map” is an interactive artwork that visualizes the dispersion of body heat as emissions of thermal energy in the form of slow-moving packets or quanta that flow away from the participant. This artwork is available as both a projection and a standalone piece.
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“Hormonium” (Text Stream 8) is a generative artwork that presents sequences of ocean waves crashing and releasing airborne text particles, with the text representing acronyms of hormones that are released in accordance with human time-cycles. This artwork is available as both a projection and a standalone piece.
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“Botella de Castigos” is an artwork where thousands of bottles are presented spinning slowly on a display, creating a clock that counts 59 seconds per minute. The bottles come from popular and elite “brands” of water from all over the world, as well as AI generated bottles of brands that do not exist.
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“Recurrent First Dream” (Primero Sueño Recurrente) is a recursive algorithmic animation made with the collected works of Mexican poet Sor Juana Inés de la Cruz. An ascending vortex of words routinely appears and scans the displays, slowly revealing the poet’s mangum opus “First Dream”, a pioneering feminist ode to knowledge and deductive reasoning, written in 1692.
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“Recurrent Anaximander” is a generative animation running on a custom-made 400,000 pixel circular display. The piece features a solar simulation made with Reaction Diffusion, Navier Stokes, Voronoi and Perlin Noise algorithms, running on top of a Solar Dynamics Observatory (SDO) image that is updated daily by NASA.
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“Recurrent Llull” (Text Stream 7) is a recursive algorithmic animation made with the collected works of Mediterranean philosopher and polymath Ramon Llull, born in the kingdom of Majorca in 1232. Among Llull’s accomplishments was the very first symbolic machine, a series of concentric circles that could be operated to generate combinations of “elemental truths”.
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This piece is a generative animation showing a descent into a never-ending spiral staircase. From time to time, uncanny virtual naked people can be seen walking down the staircase. The work never repeats the same sequence of characters. “Descending a Parametric Staircase” is a homage to Duchamp’s futurist composite “Nude Descending a Staircase” from 1912, taking its colour palette, and his “Rotoreliefs” from 1935.
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"Recognition" is a machine-learning face recognition algorithm that classifies the viewer in relation to a constantly growing database of people who have seen the work in the past. This artwork is available as both a projection and a standalone piece.
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“Recurrent Sanches” (Text Stream 3) is a new algorithmic text spring made with the works of Spanish-Portuguese philosopher and physician Francisco Sanches, most notably his sceptical treatise “That nothing can be known” Quod nihil scitur (1581) in which he proposes that nothing can be known through its causes, since it would also be necessary to know the causes of the causes, and then their causes, in an infinite regress.
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A circular display that converts a camera’s cartesian grid of photo sensors into a representation in polar coordinates (an angle and a distance). The piece has a radar-like rotation mapped to the baseline of the live camera to add an element of time, emphasized by a quiet ticking sound. The polar distortion produces an anamorphic representation of people in front of the work, with all of them sharing the same origin.
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A permanent comission for Maison Manuvie building in Montreal. The piece consists of 500 colour panels arranged in a grid. The piece features a surveillance system that does not track people, but rather saturated colors that may be present in the atrium. When a saturated colour is detected, the camera automatically zooms and tracks it so the atrium itself adopt the colour.
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"Inspired by Real Events" is a series of six black and white photos taken from the point of view of surveillance cameras in different public places of Mexico City. Each photo shows a volunteer climbing a ladder about to reach the camera with his or her hand. A video on a surveillance monitor shows the sequences captured by the cameras.
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"1000 Platitudes" is a large-scale photographic intervention project. It is comprised of photomontages and a video with 1,000 words or expressions commonly used to promote globalized cities to potential investors, such as "open", "modern", "clean", "multicultural" and "cosmopolitan". To make these images, a powerful projector (110,000 ANSI lumens of intensity for images of up to 70 by 70 metres) was placed on a 12-ton truck with a generator, then toured across the city of Linz, Austria.
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“Amodal Suspension" (Relational Architecture 8) is a large-scale interactive installation in which people send short text messages to each other using a cell phone or web browser. However, rather than being sent directly, the messages are encoded as unique sequences of flashes with twenty robotically-controlled searchlights, not unlike the patterns that make up Morse code. Messages "bounce" around from searchlight to searchlight, turning the sky into a giant switchboard.
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