Third Person
Shadow Box 2
“Third Person” (Shadow Box 2) is the second piece of the ShadowBox series of interactive displays with a built-in computerized tracking system. This piece shows the viewer's shadow revealing hundreds of tiny words that are in fact all the verbs of the dictionary conjugated in the third person. The portrait of the viewer is drawn in real time by active words, which appear automatically to fill his or her silhouette. The collector may choose to display the words in English, Spanish or French, or a combination of the three languages.
The piece exists in a shadow box format and as a large installation.
The piece exists in a shadow box format and as a large installation.
General info
Spanish name:
Tercera Persona
Year of creation:
2006
Shadow box
Technique:
High resolution interactive display with built-in computerized surveillance system
Dimensions:
104.5 x 80 x 12 cm
Keywords:
Edition:
6 Editions, 1 AP
Collectors:
Centro Cultural Muros, Cisneros Fontanals Art Foundation and private collectors
Treatment
Technique:
Projector, computerized surveillance system
Dimensions:
Variable
Keywords:
Edition:
1 Edition, 1 AP
Exhibitions
- Rafael Lozano-Hemmer: Pseudomatismos, Museo Universitario Arte Contemporaneo, Mexico City, México, 2015 - 2016.
- Permission to be Global, Museum of Fine Arts Boston, Boston, Massachusetts, United States, 2014.
- Permission to be Global, Museum of Fine Arts Boston, The Cisneros Fontanals Foundation, Miami, Florida, United States, 2013 - 2014.
- Rafael Lozano-Hemmer: Trackers, Fundación Telefónica, Buenos Aires, Argentina, 2012.
- Rafael Lozano-Hemmer: Trackers, La Gaîté Lyrique, Paris, France, 2011.
- ARCO '10, Galería Max Estrella, Madrid, Spain, 2010.
- Recent works, Galerie Guy Bärtschi, Genève, Switzerland, 2009.
- YOUniverse, 3rd International Bienniale of Contemporary Art, Centro Andaluz de Arte Contemporáneo de Sevilla, Sevilla, Spain, 2008.
- Art Basel 38, Galería OMR, Basel, Switzerland, 2007.
- Rafael Lozano-Hemmer, bitforms gallery, New York City, New York, United States, 2006.
Credits
- Programming: Conroy Badger
- Production Assistance: Pierre Fournier, David Lemieux, Natalie Bouchard
Bibliography
- "Rafael Lozano-Hemmer PG." Prepared Guitar, 13 Jan. 2015. Madrid, Spain, 2015. (english) (Websites)
- "Technology a 'work of art' at the'Haunted Mansion'." Hurriyet Daily News, 19 Sep. 2013. Istanbul, Turkey, 2013. (english) (Newspapers)
- "Permission To Be Global: Latin American Art from the Ella Fontanals-Cisneros Collection." Cisneros Fontanals Art Foundation, 2013. Miami, Florida, United States. (english) (Books)
- Ban, Sandra. "Rafael Lozano-Hemmer." ARTnews, vol. 106, no. 1, Jan. 2007. New York City, New York, United States. (Magazines)
- Fino-Radin, Ben . "Digital preservations in the artist's studio." Medium, 29 Oct. 2015. San Francisco, California, United States, 2015. (english) (Websites)
- Frèrot, Christine. "Rafael Lozano-Hemmer." Art Nexus, 2012. Bogotá, Colombia. (english) (Magazines)
- Galindo, Gabriela. "Pseudomatismos y otras paranoias posmodernas. Reflexión sobre el trabajo de Rafael Lozano-Hemmer." Réplica 21, 2 Mar. 2016. Naucalpan, México, 2016. (español) (Websites)
- Olvera, Leticia. "Exposición monográfica de Lozano-Hemmer." Gaceta, 3 Nov. 2015. Mexico City, México, 2015. (español) (Newspapers)
- Ozog, Maciej. "Surveilling the surveillance society: the case of Rafael Lozano-Hemmer's installations." Conspiracy dwellings: Surveillance in Contemporary Art, 2010. Newcastle, United Kingdom. (english) (Books)
Photo Library (click to expand)