Seismoscopes
The series "Seismoscopes" consists of devices that detect vibration around them, from footsteps to earthquakes, and record this vibration on paper using an automated XY-plotter. As each Seismoscope registers any seismic wave it is programmed to draw an illustration of a single Skeptical philosopher, over and over again. The first Seismoscope, for example, always draws the portrait of Portuguese philosopher Francisco Sanches, author of the seminal treatise "That Nothing is Known". The actual traces of the drawing follow a random path, although staying within the portrait image that has been burned into the memory of the device, --thus, every drawing is different. The artwork is the device itself not the drawings it makes: the collector or curator may give these drawings away, they may exhibit them as a pile on the floor or hang them neatly on the walls.
There will be approximately 20 Seismoscopes in total.
There will be approximately 20 Seismoscopes in total.
General info
Spanish name:
Seismoscopios
Year of creation:
2009
1: Francisco Sanchez
Technique:
Modified XY Plotter, vibration sensor, ipod, paper, stainless stand
Dimensions:
XY plotter measures 41 x 45 x 17 cm, sits on a podium that measures 115 x 41 x 45 cm and draws on tabloid paper (11x17 in.)
Additional info:
Portuguese (1550-1623), author of "That Nothing is Known"
Edition:
1 Edition
2: Abu Hamid Muhammad ibn Muhammad al-Ghazali
Technique:
Modified XY Plotter, vibration sensor, ipod, paper, stainless stand
Dimensions:
XY plotter measures 41 x 45 x 17 cm, sits on a podium that measures 115 x 41 x 45 cm and draws on tabloid paper (11x17 in.)
Additional info:
Persian (1058-1111), author of "The Incoherence of Philosophers"
Edition:
1 Edition
3: Sextus Empiricus
Technique:
Modified XY Plotter, vibration sensor, ipod, paper, stainless stand
Dimensions:
XY plotter measures 41 x 45 x 17 cm, sits on a podium that measures 115 x 41 x 45 cm and draws on tabloid paper (11x17 in.)
Additional info:
Greek (160-210), author of "Against the Mathematicians"
Edition:
1 Edition
4: David Hume
Technique:
Modified XY Plotter, vibration sensor, ipod, paper, stainless stand
Dimensions:
XY plotter measures 41 x 45 x 17 cm, sits on a podium that measures 115 x 41 x 45 cm and draws on tabloid paper (11x17 in.)
Additional info:
Scotish (1711-1776), author of "An Enquiry concerning human understanding"
Edition:
1 Edition
5: Pyrrho of Elis
Technique:
Modified XY Plotter, vibration sensor, ipod, paper, stainless stand
Dimensions:
XY plotter measures 41 x 45 x 17 cm, sits on a podium that measures 115 x 41 x 45 cm and draws on tabloid paper (11x17 in.)
Additional info:
Greek (360-270 BC), proponent of Acatalepsy (impossibility of comprehending a thing)
Edition:
1 Edition
6: Nicolas Malebranche
Technique:
Modified XY Plotter, vibration sensor, ipod, paper, stainless stand
Dimensions:
XY plotter measures 41 x 45 x 17 cm, sits on a podium that measures 115 x 41 x 45 cm and draws on tabloid paper (11x17 in.)
Additional info:
French (1638-1715), dedicated his work to refute Cartesians
Edition:
1 Edition
7: Juan Huarte de San Juan
Technique:
Modified XY Plotter, vibration sensor, ipod, paper, stainless stand
Dimensions:
XY plotter measures 41 x 45 x 17 cm, sits on a podium that measures 115 x 41 x 45 cm and draws on tabloid paper (11x17 in.)
Additional info:
Spanish (1529-1588), author of "Examen de ingenios para las ciencias"
Edition:
1 Edition
8: Baruch Spinoza
Technique:
Modified XY Plotter, vibration sensor, ipod, paper, stainless stand
Dimensions:
XY plotter measures 41 x 45 x 17 cm, sits on a podium that measures 115 x 41 x 45 cm and draws on tabloid paper (11x17 in.)
Additional info:
Dutch (1632-1677), vehement attacker of superstition
Edition:
1 Edition
Exhibitions
- Rafael Lozano-Hemmer: Presencia Inestable, Museo de Arte Contemporáneo de Monterrey, Monterrey, México, 2019 - 2020.
- Rafael Lozano-Hemmer: Présence instable, Musée d'Art Contemporain de Montréal, Montréal, Québec, Canada, 2018.
- En Marche. Faire un Pas, c'est Faire un Choix, Le Pénitencier - Musées Cantonaux du Valais, Sion, Switzerland, 2017 - 2018.
- Aesthetica 50 Years of Computer Generated Art, DAM Gallery, Berlin, Germany, 2015.
- Pencil/Line/Eraser, Carroll / Fletcher Gallery, London, United Kingdom, 2014.
- Rafael Lozano-Hemmer: Recorders, Museum of Contemporary Art, Sydney, Australia, 2011 - 2012.
- Drawing in Relation, DNA Gallery, Berlin, Germany, 2011.
- Optimismo Radical, Josée Bienvenu Gallery, New York City, New York, United States, 2010.
- ARCO '10, bitforms gallery, Madrid, Spain, 2010.
- Transition States, Haunch of Venison, New York City, New York, United States, 2009.
- Recent works, Galerie Guy Bärtschi, Genève, Switzerland, 2009.
Credits
- Programming: Stephan Schulz
- Hardware: Stephan Schulz
- Metal stand: Pierre Fournier
- Production Assistance: David Lemieux, Karine Charbonneau
Bibliography
- "Rafael Lozano-Hemmer PG." Prepared Guitar, 13 Jan. 2015. Madrid, Spain, 2015. (english) (Websites)
- Davis, Ben. "Light Touch." Artnet, 23 Oct. 2009. New York City, New York, United States, 2016. (english) (Websites)
Photo Library (click to expand)