Sandbox
Relational Architecture 17
“Sandbox” (Relational Architecture 17) is a large-scale interactive installation created originally for Glow Santa Monica. The piece consists of two small sandboxes where one can see tiny projections of people who are at the beach. As participants reach out to touch these small ghosts, a camera detects their hands and relays them live to two of the world's brightest projectors, which hang from a boom lift and which project the hands over 8,000 square feet of beach. In this way people share three scales: the tiny sandbox images, the real human scale and the monstrous scale of special effects.
The project uses ominous infrared surveillance equipment not unlike what might be found at the US-Mexico border to track illegal immigrants, or at a shopping mall to track teenagers. These images are amplified by digital cinema projectors which create an animated topology over the beach, making tangible the power asymmetry inherent in technologies of amplification.
The project uses ominous infrared surveillance equipment not unlike what might be found at the US-Mexico border to track illegal immigrants, or at a shopping mall to track teenagers. These images are amplified by digital cinema projectors which create an animated topology over the beach, making tangible the power asymmetry inherent in technologies of amplification.
General info
Spanish name:
Caja de Arena
Year of creation:
2010
Technique:
Infrared surveillance cameras, infrared illuminators, computers, DV cameras, 4 projectors, milagritos and plastic rakes
Dimensions:
Projection onto 740 sq m(8,000 sq ft) of sand, each sandbox about 69 X 92 cm
Keywords:
Edition:
1 Edition, 1 AP
Exhibitions
- Rafael Lozano-Hemmer: Translation Island, Department of Culture and Tourism of Abu Dhabi, Abu Dhabi, United Arab Emirates, 2023 - 2024.
- Sandbox, Llum Festival, Barcelona, Spain, 2019.
- Rafael Lozano-Hemmer: Decision Forest, Amorepacific Museum of Art, Seoul, South Korea, 2018.
- Glow, Santa Monica Beach, Santa Monica, California, United States, 2010.
Credits
- Programming: Conroy Badger
- Production Assistance: David Lemieux, Guillaume Tremblay
- Glow Santa Monica: Marc Pally (Artistic Director), Mark Flaisher (Technical Director)
- Production Manager: Warren Tash
- Supported by: City of Santa Monica, Santa Monica Arts Foundation, Marisa Arango Berry, Jumex Collection
Bibliography
- Cypher, James M.. "Le piège de la dépendance se referme sur le Mexique." Le Monde Diplomatique, Apr. 2017. Paris, France, 2017. (français) (Newspapers)
- ElMuhaisen, Enas . "أبوظبي تسْبح في الضوء.. بتجارب غير تقليدية." Emarat Alyoum, 24 Nov. 2023. 2023. (Websites)
- Finkel, Jori. "Hooked on the 'pulse'." Los Angeles Times, 17 Oct. 2010. Los Angeles, California, United States. (english) (Newspapers)
- Garret, Marc. "Choose your muse interview: Lynn Hershman Leeson." Furtherfield, 13 July 2015. London, United Kingdom, 2015. (english) (Websites)
- Khan, Ravail. "Public Installations Illuminate Abu Dhabi's Archipelagos for Inaugural Manar Exhibition." Design Boom, 9 Dec. 2023. Milan, Italy, 2023. (english) (Magazines)
Photo Library (click to expand)