In “Redundant Assembly” an arrangement of several cameras composes a live-portrait of the visitor from six perspectives simultaneously, aligned using face detection. The resulting image is uncanny, detached from the laws of symmetry and the depth perception of binocular vision. If several visitors are standing in front of the work, a composite portrait of their different facial features develops in real time, creating a mongrel “selfie”.
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|Year of Creation:
||Computer, HD digital cameras, thunderbolt hub, code written in OpenFrameworks
||The piece works with natural or artificial light, but the public needs to be well illuminated. The piece does not generate sound
||Display is 75 x 65 x 15 cm, accompanying Mac Pro computer is 17 x 17 x 25 cm
||6 copies + 1 AP
||indoor, tracker, biometric.
||21C Museum, Louisville